So excited to be returning to the Northwest again so soon, thanks to the Debacle Festival / Debacle Records. Very stoked to be hearing what Nate Young and Golden Retriever are up to these days, as I haven’t heard either of them perform in a couple years and they always represent!
For Debacle, the organizer recommends the festival pass as it is much cheaper than individual tickets!
Sat., May 4th – Debacle Festival, Seattle w/Golden Retriever, Nate Young, and a solo set by me as well among others! http://www.debaclefest.com/
Northwest friends, its been waaaaay too long! So excited the kind folks at artist-run Hollow Earth Radio have invited me up to play at their MAGMA festival this weekend!! Hope to catch up with you there. I’m going to be performing a set of some new material and a bit from the Glass Canyon LP.
The festival is going on for a few weeks and some other good friends including Chuck Johnson & Danny Paul Grody are joining in on other nights, so do check out the full lineup HERE
Also, a nice nod from the Seattle Stranger’s blurb about the show
“a strong bill headed by Oakland violinst Marielle V. Jakobsons (of the sublime raga-drone savants Date Palms) and Rafael Anton Irisarri (aka techno minimalist the Sight Below and a deft creator of impressionist ambient music under his own name). Jakobsons’s Glass Canyon album on Students of Decay was one of 2012′s most enveloping and engrossing drone-based works.”
SHOW INFO BELOW!!
Saturday 3/23/13 7pm doors
2018 East Union St., Seattle, Washington 98122
Intimate space, good sound, amazing artists, and in support of Hollow Earth Radio (an amazing community/DIY radio station)
Rafael Anton Irisarri (Seattle . of The Sight Below & Orcas . Touch / Room40 / Ghostly International)
Marielle Jakobsons (Oakland . of Myrmyr . Important Records / Students of Decay)
Chrisman/Svenson Duo (Seattle . of Widesky & Karnak Temples/Dull Knife)
(Hollow Earth Radio)
…and more TBA
$10-20 Sliding Suggested Donation
What is Magma Festival?
Magma Festival is a month-long, all-ages festival that celebrates independent music, sound art, and community radio at multiple venues around the city. It happens annually during the month of March. It is presented by Hollow Earth Radio.
Who/what is Hollow Earth Radio?
Hollow Earth Radio is the Pacific Northwest’s freeform online radio station that presents a forum for underrepresented music, sounds and perspectives. We support the local music community in Seattle, King County, Washington state, and the larger Pacific Northwest by focusing on found sound, field recordings, forgotten music, local musicians, bedroom recordings, low-fi demos, dreams, storytelling, and things that feel real.
My first performance of 2013 is a collaboration with filmmaker John Davis. This is the first time we are working together, and I’m very excited because I have much respect for John’s work in the auditory as well as visual realms. He will be using multiple projectors to show his Super-8 and 16mm films which will have some synchronicity with the music via an analyser. This show is a benefit for ATA, an artist-run non-profit space that has long supported the scene as an innovative local venue that has been a long-standing propagator of experimental arts in the area… Please help support them! Below are the details, hope to see you there!
“Support ATA at this special benefit show featuring a roster of evocative intermedia artists working in sound/film performance. All proceeds from the show support Artists’ Television Access, the San Francisco-based, artist-run, non-profit organization that cultivates and promotes culturally-aware, underground media and experimental art.”
Artist’s Television Access
992 Valencia Street, SF
Saturday, February 9, 2013
$15 Gen | $25 Supporter | $50 Sponsor
Featuring three film-music ensembles:
Barn Owl and Paul Clipson
Marielle Jakobsons and John Davis
John Davis, Jefre Cantu-Ledesma and Paul Clipson
San Francisco-based drone duo Barn Owl (guitarists Jon Porras and Evan Caminiti) follow in the footsteps of provocative avant-gardists Alice Coltrane and Keiji Haino, while building on the doom metal foundation planted by Black Sabbath. (more)
San Francisco-based multi-instrumentalist (Tarentel, the Alps) and founder of Root Strata label, Jefre’s guitar beams directly down from Souvlaki Space Station and arrives gorgeously mangled via modular synthesizer. Romantically haloed chorus guitar floats widescreen across relentless static drum machines until the sky splits open in the final movement, spilling burning guitar fragments over everything. (more)
Paul Clipson works primarily in film, video and on paper, often collaborating on films, live performances and installations with sound artists and musicians, projecting largely improvised in-camera edited experimental films employing multiple exposures, dissolves and macro imagery that bring to light subconscious preoccupations and unexpected visual forms. (more)
John Davis is an Oakland-based artist working with moving images and sound, expanding their relationships through experimentation, chance, collaboration and improvisation. Current performance work investigates various sound and image delivery systems, their material bi-products, and the range of sensory possibilities that exists between them. (more)
photo by Shundo David Hayne
As part of the Soundwave Festival, I am very excited to be performing a special set utilizing the large meditation you see in Buddha Hall in the photo above. Before I perform there will be guided meditation. Following me is En (Maxwell Croy from Root Strata & James Devane) and Sean McCann, so it should be a sublime evening! Curated by Danny Paul Grody.
5:30 Doors open
6:00 & 6:30 Meditation in Buddha Hall led by Lien Shutt
6:15 & 6:45 Tours of the SF Zen Center led by Tova Green
7:00 Marielle V. Jakobsons Buddha Hall Performance
with Seated meditation led by David Zimmerman
7:40 Sean McCann Garden Courtyard Performance
with Kinhin instruction led by Gretchen Rau
8:25 En Dining Room Performance
with Well-being chant led by Shundo David Haye
Super excited to be sharing the celebrations of Evan’s new release & to hear KWJAZ live for the first time.
p.s. i’ll have CD’s of Glass Canyon available at the show!! LP’s will be coming later in June, be in touch if you’d like me to save you a copy.
Echo is memory, slowly fading. Slight gradations cull the annals lining time distorted mind’s eye. To hear this ring out is to experience the folding of past onto present. With agile hands, these artists crease, bend and transform perception, sifting ephemera through ever-shifting and evolving relationships.
On this date, we embark towards engulfment in celebration of the release of Evan Caminiti’s Night Dust on Immune Recordings, as well as Marielle Jakobsons’ Glass Canyon on Students of Decay. Traversing the indefinable divide is another local hero of the obscured: KWJAZ.
LIMINAL SPACE | 950 54th St. Oakland 94608
Saturday May 26th | 8:30 doors, 9pm start
Contribution: $7 – $10
Sorry I didn’t post pre-show here as I usually try to do…
But here is a little bit of bonus audio & video from the show if you missed it!
Performing a special solo set with the inspiring experimental film artist Paul Clipson live! Hosting is a brand spanking new gallery with two very interesting exhibitions on view, “Illegitimate Business” which is all objects that have all been obtained without any monetary transaction, and often illicitly, as well as a new book DAREN WILSON: AFTER MORANDI, on view courtesy of Glass House.
Paul Clipson & Marielle Jakobsons
Friday, February 3, 2012, 9PM
Will Brown Gallery
3041 24th Street
San Francisco, CA 94110
See Paul’s captivating work HERE
Date Palms as a five-piece w/Michael Elrod on tanpura, Ben Bracken on bass, and Noah Phillips on guitar.
Also really looking forward to the other sets, two solo artists whose work I totally respect, along with locals the Meridians.
1629 8th st. (right by West Oakland Bart)
Date Palms first East Coast shows will be in Brooklyn Festivals both happening at Public Assembly!
10.16.11 Neon Marshmallow Festival
10.18.11 Mexican Summer Showcase/ CMJ
Neon Marshmallow Festival has put together a truly amazing lineup with Rhys Chatham, Alan Licht, Forma, and Mandelbrot & Skyy
all performing the same day as Date Palms, and Tim Hecker, Grouper, Phill Niblock, Kevin Drumm, Rene Hell also to be heard there!!!
Mexican Summer showcase @ CMJ features Light Asylum, Radio Peopl, Quilt
Also, next Wednesday Sept 28th at the Hemlock Tavern in SF, Mountains will be joined by Date Palms, and Higuma (of Barn Owl).
Saturday Sept 10, 8PM
Yoshi Wada and Tashi Wada, 0th, Area C, Max Mathews Tribute (with me & Diane Douglas)
Brava! Theater Center (2781 24th Street, SF)
I’m performing on violin a tribute to Max Mathews with Diane Douglas on computer, Theme and Variations on Beethoven’s String Quartet No. 4 for Violin and Phaser Filters (2011). Max and I played together in a string quartet, and this was one of the many pieces they rehearsed together. Max and I also worked together over the last several years as he developed his Phaser Filters program, which is a live performance software based on tuned resonances capable of incredible transformation and beauty. This piece is a tribute to these two aspects of our work together.
Max Mathews’ Phaser Filters create tuned resonances within any sound played through them, the same way that a particular room will amplify certain frequencies based on its shape. Max would play these filters melodically to simulate a constantly shifting resonant space, transforming the original sound into something entirely new. He was especially fascinated by the subtlety of harmonic and emotional tones forged, for example, by changing his filter’s tuning to quarter tone, or complex chords like Risset’s Major-minor hybrid.
Diane Douglas also worked closely with Max, as he guided her to create her own version of his Phaser Filter Program in the Max/MSP environment. Input audio from a live instrument or from looped samples is passed through 5 banks of 4 of these filters which form 5 ‘chords’. This provides a new harmonic backbone for any sound they interact with. There is also a degree of randomness which can make them sound alive – as Diane can control the diatonic mode or the tempo for example, but other improvised aspects will make sure that they never sound the same twice.
Together, Diane and I will perform a piece based on some of Max’s favorite sounds- the violin and Beethoven- transformed by the sound world of Phaser Filters.
The festival lineup is killer this year, check it out: sfemf.org
Thursday, September 8th 8PM @ SFMOMA
Live and fixed sound and video works by Les Stuck & Sonsheree Giles, Sarah Howe, Tim Perkis/Tom Djll, Alba G. Corral/Kadet Kuhne, plus Milton Babbitt’s “Philomel” performed by Dina Emerson
Friday, September 9th 9PM @ Brava Theater Center
Christian Marclay featuring Shelley Hirsch, Jessica Rylan, Zachary James Watkins
Saturday, September 10th 8PM @ Brava Theater Center
Yoshi Wada + Tashi Wada, 0th, Area C, Max Mathews tribute
Sunday, September 11th 8PM @ Brava Theater Center
Kevin Drumm, JD Emmanuel, Gregg Kowalsky
Tickets & Passes: $16 General; $12 Student/Senior.
Full festival pass: $45
Purchases online at Brown Paper Tickets
or at the door (cash only)
Brava! Theater Center, 2781 24th Street, San Francisco
Phyllis Wattis Theater at SFMOMA, 151 3rd St, San Francisco
PLAYBACK > Battery Townsley
Battery Townsley, Fort Cronkhite, Marin Headlands (off Rodeo Beach)
Arrive by 5:30pm. 20 minute hike to performance site. Showtime: 6pm. Site can be windy and foggy even on a sunny day. We highly recommend warm clothes, blankets and proper foot attire.
Looking for audience members who can carpool. Contact firstname.lastname@example.org if you have a seat in your vehicle.
Introduced in 2010, Battery Townsley explored the extreme resonances inside and around this historic WWII harbor fortification overlooking the ocean in the hills of the Marin Headlands. August 7 features performances by electroacoustic duo Date Palms w/ Trevor Montgomery
(acoustic bass) & Michael Elrod (tanpura), vocal dance ensemble M.Mara Ann’s Sugar Pine Tesla, and composer/sound artist Edward Schocker (glass/sho) w/ Adam Fong (double bass), Suki O’Kane (bass drum), and Taka Oda (voice).
DATE PALMS W/ TREVOR MONTGOMERY & MICHAEL ELROD
Oakland-based duo Gregg Kowalsky and Marielle Jakobsons create a site-specific performance in the Battery’s gunwell with Trevor Montgomery (acoustic bass) and Michael Elrod (tanpura) and other instruments!
Fore more info see https://www.brownpapertickets.com/event/182438
I’m very excited to be playing at this gorgeous venue for both Agnes’ Bay Area sendoff show & Date Palm’s Honey Devash Record Release!! Opening the night, and curator of the evening, is the amazing guitarist Danny Paul Grody. New works by painter Ross K. Jones and photo work by Varese Layzer will be on view, the same artwork that was banned from Ritual Coffee (read about this here). This event marks the first in what will become a regular series of music, art, and beyond presented by Rev. Bertie Pearson, creator of the fantastic too-brief Episcodisco series at Grace Cathedral.
One show in SF, one in Oakland!
Thursday 6/23 @ Hemlock Tavern [1131 Polk Street] with the guitar folk guru Bill Orcutt, mesmerizing lutist Jozef van Wissem, and desert-blown oudist Derek Monypeny.
Friday 6/24 @ Life Changing Ministries [1629 8th St. near the West Oakland BART] with Jozef van Wissem & Derek Monypeny & Vestals (new solo project of Lisa from Higuma)
beautiful zones at the cozy Fingerling’s Grotto tonite with Fielded (Chicago) + Pale Reverse (of Common Eider King Eider) + Myrmyr
Tonite, early show so don’t be late! Fielded is Lindsay Powell [http://fielded.tumblr.com/] vocalist of Ga’an (CAPTCHA Records) and one half of sister songstresses Festival (Language of Stone/Drag City). By using vocals and minimal instrumentation, Powell explores the many moods that can be created through experimentation with voice as leader rather than follower of the amplified instrument. She moves from dark to light and back to dark – a church chorus
Myrmyr [http://www.myrmyr.net/, http://www.facebook.com/myrmyrmusic]
Agnes Szelag (Evon, Dokuro) + Marielle Jakobsons (darwinsbitch, Date Palms) create post-classical atmospheres from cello, violin, voice, strings with electronics. Brand new LP ‘Fire Star’ from Under the Spire Recordings [http://www.underthespire.co.uk/releases-buy/myrmyr-fire-star/] will be fresh off the boat + one of this Bay-Area last shows before Agnes moves to Poland!
Pale Reverse [http://www.youtube.com/watch?v=sX6Iv4CbtVA]
Gregory Hagan of Common Eider King Eider plays amplified viola/electronics/vocals
Possibly our last SF show before Agnes moves to Poland! We’ll be playing one song from our new album ‘Fire Star’ plus some brand spanking new jams.
We’re on first, followed by Tiny Owl, a new quartet with Suki O’Kane (Percussion) Sebastian Krawczuk (Double Bass & Objects) Lance Grabmiller (Computer & Synthesizer) Matt Davignon (Drum Machine & Synthesizer) http://tinyowl.bandcamp.com/
This Saturday Danny Grody (of the Drift, Tarantel) and I will be performing together on a gorgeous string instrument installation by Chris Duncan “Sound & Shape” at the Guerrero Gallery.
2700 19th St.
SF, CA 94110
Short clip from the first few moments of our set, opening for Godspeed You! Black Emperor at the Great American Music Hall 2/20/11. We had a great time, and played as a quartet with Trevor Montgomery (of Lazarus, the Drift, Tarantel + others…) on bass, and Michael Elrod on tanpura. Gorgeous film courtesy of Paul Clipson
Lots of exciting stuff for us this week….
New website ::: DatePalmsofPsalms.com
New release announcement ::: Early 2011 12″ record on Mexican Summer!!
New show announcement ::: Feb 20th @ Great American Music Hall w/Godspeed You! Black Emperor
with myself on violin & Jefre Cantu Ledesma on guitar/FX
This Friday: ARP (joined by myself & Jefre Cantu Ledesma) plays Raga for Moog & Violin & BAM
++ Paul Clipson on Super8 & Scott Hewicker DJing
BAM/PFA – L@TE – Prosperity and Tranquility with ARP
(Doors 5 p.m., D.J. 6:30 p.m.)
Programmed by Tomo Yasuda
“One-man bliss machine” Alexis Georgopoulos, the New York-by-way-of-San Francisco artist behind ARP, will send his atmospheric electronic sounds into the museum as if delivered via cloud. Noted for its hypnogogic, minimal music, ARP’s latest album, The Soft Wave, “creates enormous sound structures that, as they slowly unfold, become essays on scale,” said the New York Times. Georgopoulos’s BAM/PFA performance will be accompanied by original films by San Francisco experimental filmmaker Paul Clipson, and Los Angeles-based artist Sara Magenheimer will present a seasonal video loop, a meditation on the passage of time and the natural environment. The third installment of Tomo Yasuda’s series of L@TE events, presented in conjunction with the exhibition Flowers of the Four Seasons, Prosperity and Tranquility uses sound and visuals to reflect upon autumn as well as the zeitgeist of Japan during the economic boom of the late Edo period, when the government ceded power to commercial interests and the people lived for the moment, heedless of the consequences. Admission: $7, free for UC Berkeley students, faculty, staff, and BAM/PFA members.